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Sports, Journalism, Kansas City and everything in between
This is another flawed negative. I remember clearly making a print of it in 1977, refocusing the enlarger, swearing, making another print, focusing the enlarger with the grain magnifier, making another print, swearing…
Royals’ first baseman John Mayberry apparently didn’t focus on this ball any better than I did. Even mighty, mighty, Photoshop couldn't save this one.
There are moments in games that break your heart. Not just fans, either. Some moments break a team’s heart, its spirit. That three run homer in the 11th tonight in
Well, in 1977, it seemed the young Royals might just beat those damned Yankees. They won Game One 7-2 in Yankee Stadium behind Paul Splittorff. They lost Game Two by nearly the reverse score – 6-2. A split at Yankee Stadium: Was it an omen? Had the Royals come of age?
Maybe. Just maybe. The Royals took Game Three by the reverse score – 6-2 – at Royal’s Stadium. One more victory… one more…
But Game Four was awful. The Yankees became the Yankees and the Royals became the A’s of the early 1960s. Farm team. Little brother. Poor relation.
And the moment you knew it was happening – the moment you knew in your heart the Royals would not go to the World Series in 1977, was the moment John Mayberry dropped this pop-up a few feet foul of the bag. It was the top of the fourth, Marty Pattin on the mound, Yankees ahead 4-2.
Willie Randolph reached on a throwing error by George Brett at third. I will never forget that error either, the first of two in the inning, because the ball took off like a rocket over Mayberry’s glove and ticked my vulnerable right ear as it sailed through the photo bay. I stood no chance because I was focused on Brett in a 300 mm lens and looking through such a lens you have no sense of distance. An inch to the left and it would have hit square in the middle of the lens and killed me. I have no doubt.
As I tried to catch my breath and summon courage to raise the camera to my eye again, Bucky Dent sacrificed
Not so fast. John Mayberry simply didn’t catch the ball and he would never have an easier chance. He should have caught it. He was there. He looked up, raised his glove and, unbelievably, the ball fell unmolested to the ground. My memory is his glove never touched the ball but this image is inconclusive.
In truth, it didn’t matter. Rivers grounded out to short on the next pitch. Greg Nettles singled
But the moment Big John missed that pop-up was bigger than the scorebook says it was 34 years later. At that moment, standing in the photo bay no more than 20 feet from the play, it was impossible not to know the magic had been all used up. The real Yankees had returned and the pretenders would soon go fishing.
More to come...
--Lofflin
Fuzzy photograph/ John Lofflin
I didn’t notch this negative in October 1977, so I probably didn’t print it. Probably I looked at it against a light bulb or on a contact sheet and said, “Shit, pulled the trigger too late.”
This is definitely not Henri Cartier-Bresson’s classic “decisive moment,” the invocation under which all photojournalists toil.
In fact, it is probably a classic un-decisive moment.
And, as a black and white photographic image, it isn’t flawed just because it is late. The subjects are not separated visually from the background by either light or focus. And, just look at the middle. There’s nothing in the middle but the ball, and the ball is traveling in the wrong direction. In fact, everything and everybody in the image is moving in precisely the wrong visual direction.
So, 34 years later, imagine the photographer’s surprise when he prints this image under yellow lights in the last black and white photo-lab on the planet and falls strangely in love with the result. This is the classic moment after. This flawed bit of Tri-X film, too-long camera lens -- these are the very edges of the frame --, and nano-second tardy photographer, captured an eloquent moment of success and failure in a very hard game.
Call it success by mistake.
What you see in this frame is the hitter who watched a third strike cross the plate, his head turned around backward staring at the umpire, his now useless club pointed to the ground; the umpire, back turned from him in theatrical pose – “yer out!” – finishing the call with flourish; the catcher, stepping toward first, already firing the offending ball to third base where it will travel around the horn; and the crowd joyous.
Even the beer man has turned in this moment -- mid-pour -- to watch.
This is probably the top of the second inning, Game Four, Oct. 8, 1977, Larry Gura pitching. If it is, the strikeout victim is Chris Chambliss. The catcher is Darrell Porter. The umpire is Marty Springstead. Chambliss was the second out, but the Yankees would go on to score two runs in the inning on a Willie Randolph single, a Bucky Dent double and a Mickey Rivers single. They would win this pivotal game 6-4.
Oh yes, in the background it looks like Thurman Munson is unloading a big, no doubt disgusting, load of Red Man. Therein lies one of the great -- if sometimes disgusting -- powers of the camera.
-- Lofflin
Next: "The Pop-up"
Photograph/ John Lofflin
PPS: Think about those Yankee names -- Willie, Bucky, Mickey. Baseball names all. Not, I hestitate to point out, soap opera names like Justin, Shane, Corey, Lance, Max, Zack, Taylor, or Brandon. But baseball names change with the times. Willie, Bucky, Mickey, feel like 1950s baseball names. Modern baseball names would include Prince, Miguel, Jhonny, Ramon, Jose, Tokashi. Add in the interesting Russian first names, perhaps tied to the Russian presence in Cuba and revolutionary Latin America -- Ivan, Yuniesky, Vladimir, Melky -- which is reportedly short for Mikhial --, Alexi. Interesting how names define the period of the game.